Showing posts with label lessons. Show all posts
Showing posts with label lessons. Show all posts

Saturday, August 16, 2014

Holton Rower inspired sculptures

So I have been dying to try a Holton Rower project ever since I have discovered his work.  His pour paintings are so engaging and when finished and hanging on the wall very beautiful.  There is just something so calming about watching the paint interact with each new pour put on the base.

Sculpture Week at North Vancouver Community Arts Council seemed like the perfect place to finally give a Holton Rower inspired project a whirl.

I had been holding on to some wood scraps and so put some gesso on the different pieces and took them into the studio.  Using wood glue, I had the kids place the pieces how they desired after we talked about how we would use gravity to paint the work.

Needless to say, this project was very popular.

The kids LOVED pouring paint on the work.

LOVED!!!

I think they would of done this for hours if I would of let them but then we would of had paint dripping down the sculpture to the table to the floor!  At first it was all about the pouring but once there were several layers on they were fascinated by what the paint was doing with each and every pour.

I had originally asked them to pick three to five colors to work with but as you can see that suggestion went out the window in their excitement.

I am so pleased with this project from beginning to end and the kids were too.

They took four days to dry in very warm temperatures.  I put a high gloss varnish on top once they were completely dry so that they would look like wet paint.  I had hoped to put a hanger on the back so the parents would put them on the walls, as I think this is the best way to display them, but just ran out of time.

There was a bit of cracking but nothing that I feel takes away from the work.  I certainly didn't have any paint falling off and I think it adds to the charm of the piece.

So without further ado....





Monday, August 11, 2014

creating Holton Rower inspired pour paintings with children




Here's a sneak peek at one of several things the kids worked on during the first day of Sculpture Week through the North Vancouver Community Arts Council.

Needless to say, Holton Rower gained 6 new young fans today and I'm going to guess their parents will be investing in some scrap wood and paint to do this again!

Friday, August 1, 2014

TaDa! Chessboard complete!

Whew.

13 hours of work, that is what this 9 year old child has invested in her work, but what a beautiful thing it is to behold.  We did the "happy dance" when it was finally complete and celebrated with a big bowl of popcorn.  Then the student and my oldest child played a game of chess while we waited for her mom to come pick her up.

Who may or may not of shed a small tear when she looked at the completed work.

Because it's that special!



Here is what I loved about this project, as it was chocked full of skills to be learned, skills I believe will serve a person well in their everyday life, not just in regards to art.

First, brainstorming.  It is a skill I think far too many people do not know how to do.  A skill I finessed during my days as an Art Director in an advertising agency and like to share with my students.  I helped her write down all the things that might be associated with her cat, Violet, the inspiration for this Chessboard.  As she started trying to edit her ideas, I told her to write down everything and not worry if it was a good or bad idea.

Everything was free game at this point and there was no telling what idea would lead to an even better or great idea.

And the student learned that an idea she originally edited out ended up being a strong element of her game board in the end....the bird.

mice "pawns", gold fish bowl "rook", and bird "knight"


And if she hadn't allowed herself to brainstorm without editing her ideas, it would of been something she would not of had on paper to choose from.  The dog would of been all wrong on this board as everything else a cat usually has power over and the dog is basically known for chasing cats...thereby implied a more powerful position than the cat.  The student didn't make this edit until the third day when going back over her original brainstorming paper.


Second great skill this project highlights, problem solving.


32 pieces to be sculpted and painted and one week to complete the project.

That means when you are working out your design, you have to keep in mind how things need to be simplified in order to meet the time constraints.  It was interesting to watch this child naturally make these edits as she worked.  

Another problem that she had to solve was making sure there were no clay pieces sticking off her work since this is a functional piece of art that is meant to be handled.  She had to constantly keep in mind keeping things contained on the main game piece so nothing breaks when it is being handled over time.

Which how great is it to give a child the opportunity to create a functional piece of work?!  One she can enjoy playing with family and friends?







Then there was the color scheme.  She had to work within a certain color choice so that game pieces were readily identifiable.  So again, great opportunity to work out problem solving skills.  Which as you can see, she passed with flying colors.

rook gold fish bowl

Here is a quick look at the goldfish bowl completed.  Here was a leap of faith on her part in trust.  She needed to add some blue here so you knew it was a goldfish bowl, but she also needed to make sure there was no confusion in what rooks went where and that it blended in with the other game pieces.  First she made large goldfish on the outside of the bowl.  A large white one and a large orange one.  Then she added the muted blue paint and then I discussed foreground with her and she placed some greenery in the bowl in front of the fish.

Since the works are 3 dimensional, we discussed the bird's eye view of the work and so with fimo she added the top of the fish and plant, along with some blue for the water that we then covered with an antique eyeglass lens.

And then she had a stroke of genius!  She made the rim of the bowl either orange or white.  

How smart is that?

oh yea, the trust part.   After she had done all this work, I had her put a fluid acrylic in iridescent blue over EVERYTHING so it looked like it was in a bowl.  After all that work, she was understandably hesitant to paint over all of it in what looked like an opaque paint but she trusted me and it turned out great.

Finally the board.
chessboard

A lesson in patience as that's a lot of squares and not necessarily the most exciting thing in the world to paint and yet, you have to concentrate as you have to definitely stay inside the lines.  Then how to make in interesting?

She wanted cat paws walking across the board and she chose to put them in random places and not every square because we were almost at the end of the last class.

More problem solving!!!

The dancing circle or the face off, however you decide to read it, happened by accident!  She wanted the white prints to go across one way and the orange ones to go the other and then when it was finished we realized  where they crossed it looked like they were squaring off with each other.

I love this happenstance.

Which again, great life lesson in not planning out every last detail and enjoying the unexpected.


And finally the inspiration for all of this awesome work, Violet the cat as the king of the white team.  This might of been where her mom may or may not of gotten choked up because it actually does look like her cat.  The tiny white mark in the grey face marking is deliberately thought out because it is a unique quality of her cat she wanted highlighted.



Now what I learned this week.  You don't want to try this with a huge class unless you have A LOT of help.  I would not do this with more than 5-8 children.

You need AT LEAST 15 hours to complete this project if you are trying to do it in a camp.  In the future, I would probably do this in my weekly school year classes so students would have as many classes as necessary to complete it.

If you don't have a kiln, the fimo works great because you can harden it in less than 15 minutes and it is quite easy to paint.  

I think it is necessary to varnish EVERYTHING.  This is going to be played with so you need to think of wear and tear.  I am in love with the new glaze varnish I tried, it truly looks and feels like a finished glazed clay piece.  

I used a matte varnish on the board to protect it.



One last picture before I end what has become a post the size of "War and Peace".  Can you imagine if I hadn't done the sneak peak post how long this would be?

I am so proud of this project as if you couldn't tell by the numerous pictures.  Even the student had to ask me when enough was enough but as I said to her, this is the last time I will see the work and I want to make sure I have lots of memories of it to last me for years to come.

Congrats Miss A!  You did an amazing job and I hope you beat your dad tonight when you challenge him to a game.  Your chessboard is purrrrfect!














Tuesday, July 29, 2014

a sneak peek.....

This week I am doing a camp at Kudzu Studio where artists create their own chess boards.  This artist is doing a cat theme board and the mice are the pawns.  I can't wait to see her finished piece on Friday!
9 year old

Monday, July 28, 2014

Breaking the rules with Picasso

This is the final project I am going to share from the "Art Yourself" camp at North Vancouver Community Arts Council.  Unfortunately I just did not get great photos of the clay head bust the kids did which is so disappointing because they were darling.

I find the last day of camp a bit challenging as I need a project that doesn't need time to dry since the kids need to be able to take it home at the end of the three hours.  While trying to decide what project to introduce, I remembered a project I did years ago when my children (who are now in University and their last year of high school) were in elementary school outside of Seattle, Washington.

I was the Art Docent Chairperson for our school and discovered this Picasso project in the handbook. I was not completely sold that it was great but I needed something quick for a teacher who needed me to come in at the last minute.  By the end of the 45 minutes, I was more than sold as the kids had a great time, learned a bit about Picasso's cubist work, and the teacher had an amazing display to show the parents at Open House.  Win, win, win.

I have always wanted to revisit it and with a camp focused on self portrait work, this seemed like the perfect time.

The kids were "all in" when it came to breaking the rules after the fun they had the day before with the Modigliani inspired portraits.  At first I think they might of been a bit disappointed we weren't working with the pastel chalks again, but I try hard to introduce the students to a wide variety of different mediums during the week and at this point had not done anything with the oil pastels.

So I showed them a few of Picasso's cubist portraits and asked them what they saw that made it different and interesting.  

Then they pulled out the photos their parents took of their side profile and the forward facing head shot.  I quickly showed them that the oils were much more interesting when you layered lots of color instead of just using them like a crayon.  I even showed them that when they layered lots of color, the pastel did all the blending work for them and they didn't even need to use their finger very much to rub things together.

Next I handed them a black piece of pastel paper and I asked them to draw the shape of their head on the paper with the black oil pastel.

Then using the blind contour drawing skills they learned earlier in the week, minus the paper plate, I asked them to add their profile through the middle of the face they had drawn.  Every. single. child. was eager to try, even the ones who had shed a few tears in frustration earlier in the week.  With a better understanding of the outcome, their fears had been alleviated.  

Hallelujah!

I then asked them to draw one eye face forward.  Then we discussed what looked different about their eye in the profile picture and I asked them to add this to the page too.  I told them it did not need to be in the same place nor the same size.  Whatever made them happy was great.

We talked about all the angles we saw in Picasso's work and they to draw a nose that pleased them.

After that, the lips.  Some did part of the lip in profile and the other face front, others just a front view.  Their choice.

Then they added color and WOW!

Look at the results!!

A great project years ago and a great project now.

6 year old



10 year old

8 year old

6 year old


8 year old

8 year old

10 year old

7 year old

6 year old

6 year old

6 year old

Friday, July 25, 2014

Mixed Media self portraits

This is a mixed media project inspired by another blogger/artist named Jeanne Oliver.

A few years ago she ran her first online art course and I took it on a whim and one of the projects was a mixed media assignment that I have since used as inspiration in several children's projects.   They all seem to really enjoy the process of building many layers of different materials into a painting and the results are always very interesting.

The kids worked on this project over a couple of days, finishing it on the third day of camp.

We started with canvas squares and a whole bunch of paper scraps I have in my own studio.  Once they finished, they added paint, stamp marks, oil and chalk pastel.  Then they got down to work creating their self portraits and painting them in acrylic. Some of them chose to do their portraits with a 3/4 view and others wanted to stick with what they had learned from the previous days.  I was supportive of either one.  

Once finished, they added either self affirmation statements, their dreams of what they'd like to accomplish as grown ups, or simple sentences of what they find important or love in their life at this moment.

Whatever they decided, I know as they grow they will cherish this small part of the work the most when they look at the final painting.

Each and every one of the art pieces truly reflects the child who created it.  

6 year old

6 year old
7 year old

7 year old
6 year old

8 year old

6 year old

8 year old

10 year old
10 year old


Thursday, July 24, 2014

Warhol inspired printed self portraits

I love introducing children to Warhol, discussing what pop culture use to be in comparison to what it is today and being hit over the head with how out of touch and OLD you really are when they look back at you like you grew another head.

yes. I love that.

But I do love how well kids respond to Andy Warhol's work and it is a great source of inspiration when introducing printmaking.  In the past I have done straight relief prints with the kids but I decided to try something new this time and I think the kids really got sick of me saying how much I loved everything by the end of the project,  but I could not be happier with how this project turned out for each and every kid.

I was worried.  It was far more complicated than what I have done in the past and I wasn't completely confident the younger students would be able to handle it, but things went off without a hitch and each and every child was able rise to the challenge.

We did reduction printing.  And instead of explaining the entire project at once, I did one step at a time and did not share the next step until we were ready to embark on it.  I think this went a long way in keeping the kids from finding it overwhelming.

First the students did a line drawing of themselves on their "working paper".  I traced the size of the styrofoam square on the paper so they didn't do their drawing too large.  Once they were happy with their drawing, I taped the styrofoam to the table and then just the top part of their "working paper" so they were able to lift it up and see if they had all their lines without having to worry about getting it back into the right place.  They then traced over the lines as instructed with a blunt pencil.  We then lifted the paper off the foam and I had them go over the indented lines one more time to make sure they were deep.

For the first print, I only had them to their outside lines.  The hair line and the outside face and neck lines.  I then let them pick between pink or orange ink and had each child pull three prints in the color of their choice.

I then had them put them in order from their most favorite to their least favorite.

Once every student had three prints.  We started the next step which started with them cutting their heads out of the styrofoam.  They then could cut their "working paper" heads out of the paper also to place over the foam.  Some did them and others decided to just wing it and not rely so heavily on their working sketch.  At this point, I had them add in the facial features and hair with the blunt pencil, either by tracing over with their working paper or just looking at it and putting the features in freehand.  They then went back to the ink station and put turquoise ink on their styrofoam plates.

Here's the tricky part, getting it on register.  When we looked at Warhol's work, I emphasized how he put things off register.  How that added an energy to the work and how "boring" it might look if it had been perfectly registered.  I did this knowing that their work would probably not be perfectly on register and I wanted them to embrace that aspect rather than think of it as a mistake.

I also had them start with their least favorite first pull so there wouldn't be so much pressure to "get it right".  They had two practice go's to get confident with the process before placing the second pull on the final paper.

But to be truthful, they didn't really have any problems from the start, even the six year olds.  Having cut the head out of the styrofoam made it quite easy for them to place it darn near perfect on register.

When they did the second step on all three pulls, I then told them I wanted them to pick one part of their drawing to highlight with a third color.  Most chose their hair, but some picked a necklace or the flower on their headband.  They then went back to the ink station and used a royal blue for their final color.

I think the results are fantastic and would encourage anyone to try this project with children.

6 year old

10 year old

6 year old

7 year old

7 year old

6 year old

8 year old

6 year old

8 year old

6 year old

10 year old





blind contour portrait drawing


On the second day of the self portrait camp through North Vancouver Community Arts Council, I had the students do a blind contour drawing of themselves.  It is an exercise to help them work on their observational skills.  I also believe this is an exercise to help them grasp the concept of abstract art, which I find with younger children sometimes difficult to embrace.  

Not that this was not difficult for some to embrace too!

The more analytical the child is by nature, the more difficulty they seem to have embracing this style of drawing.  Out of the eleven children, two had tears of frustration because it did not "look right" but once I told them to go ahead and draw while looking, that they succeeded by at least trying the style, they were able to take a deep breath and try again.  A couple of them modified the exercise and ended up with something definitely in the same style but also accommodating their need for more control.

That is OK by me.  I feel my job is to show them different techniques that they can use in ways that work for them and I encourage them to incorporate those things into their drawing with whatever modifications work best for them

On the other hand, there were many children who giggled as they looked at the final results on their paper and really enjoyed doing several practice rounds prior to doing a final image on the water color paper.

How did I do it?  I handed each student a paper plate with a sharpie pen stuck in the middle.  I told them to hold the pen in their hand underneath the plate.  I had to show a couple of the six year olds what I meant, but once they understood, they had no more issues.   They then had a photographic image of themselves that they looked at to draw blindly.  I emphasized that I wanted them to draw off the paper to help them loosen up their drawing and "draw big".  This is very important with the younger students who tend to keep things small.  I also stressed that they should not lift up their pen and draw with one continuous line.  Again, some embraced this more than others but in the end, it all worked out fine.

Once they were comfortable with what the results would look like and tried it several times on practice paper, they took their photographs to the table and did a final drawing on watercolor paper.  I then gave them liquid watercolors in the primary colors and told them to change colors whenever they hit an intersecting line. I showed them how to create new colors out of the primary ones given to them. We talked about how they could use water to change the tone of the same color and how a paper towel could be used to create texture by dabbing away some of the wet paint also.  

I loved that the students discovered and share amongst each other how to splatter the paint on the paper and you will see several examples of it in the artworks below.  I love seeing students who were once strangers start to bond over the common interest of creating great art, becoming good friends by the end of the camp week.

This was a great project to bridge into upcoming projects where the students will create self portraits inspired by other unusual artistic styles.  That they can alter their image but still look like themselves by incorporating features that make them unique individuals.

Like a flower headband

freckles

curly hair

or a sly smile.

I am quite pleased with the results of this project and even students who were not buying into the process when it was just sharpie on paper liked their end results once they added the color.





6 year old

8 year old

6 year old

10 year old

6 year old

7 year old

7 year old

10 year old

8 year old

6 year old